The present book desires to address the politics of gender identity from the authentically Indian perspective, and that too in the arena of English theatre. Indian drama and theatre has always exhibited a close symbiotic relation between genre and gender though literary feminism was quite late in evolving. The reason obviously was that theatre was a more public arena and hence a restricted medium for the females. The essays in this book address the multiple aspects of gender identity and feminism and open up doors for varied speculations.